Showing posts with label Short Story. Show all posts
Showing posts with label Short Story. Show all posts

Tuesday, 25 February 2014

Platform 16 (the big one!) open for submissions


Dear Victoria University Students,

We are preparing the sixteenth edition of Platform magazine for print and invite you to submit your writing for publication.

Please also consider applying to join our editorial team.

Kind Regards,
Emanuel Cachia and Kim Cook


Sunday, 20 January 2013

it's all about the first extract - 'Talking in Tongues'



This first extract is from Craig Henderson’s short story Talking in Tounges, which won one of six joint first prizes in the 2012 National Year of Reading’s ‘It’s never too late … to learn to read’ writing competition. Without further ado…

YOU LEARN TO READ one word at a time, just as you learn to walk one step at a time. But walking is easier, once you get the hang of it. You just lean forward and put one foot in front of the other. While learning to read is a constantly evolving challenge. Words change, as do meanings. The trick is to read between the lines, to go beyond the words and immerse yourself in the story.
I’m Ben, by the way. At fifteen, I’m already hooked on words and the strange hold they have over people. Take my family—please someone, anyone. Sorry, that’s an old joke and not a very good one. Maybe I should just tell the story and let you decide what to do with them.
It all began about a year ago when Dad started talking Italian.
Dad is not Italian. He’s as Aussie as Vegemite … er, Blundstone boots … I mean, Bundaberg Rum. I know those aren’t good examples, but you get what I mean. At the footy, Dad could balance a stubby and a meat pie in one hand, while tearing out his hair with the other and hurled obscenities at the umpire at the same time. Dad is the only person I know who could say, ‘fair dinkum’, ‘struth’ and ‘bugger me’, all in the one sentence.
Everything changed one day, when he sat down to breakfast.
He turned to me, winked and said, ‘Buon giorno.’
I almost choked on my Cornflakes. I might have thought he was joking, if it hadn’t rolled off his tongue like he was the Pope.
Mum was on another of her religious charades—full on Catholic, I think—so she just rolled out a Hail Mary and went back to scraping the burnt bits off the toast.
My younger brother, who is thirteen, has ADHD and OCD—doctors seem quite fond of acronyms—along with Tourette’s syndrome. Mum reasons it is God’s will that Joey was born with these afflictions and only the will of God can take them away. And that is Mum’s great dilemma, since being denied a miracle by her own Lutheran God.
Rather than lose her faith, Mum decided she must be barking up the wrong tree. She converted to Buddhism, Hinduism and Masochism, before doing the rounds of the other Christian faiths; the Seventh Day Adventists, Mormons, Presbyterians and finally the Catholics.
But Buddha, Ganesha, and Jesus, Joseph and Mary had failed to deliver the goods, and Mum was ripe to test the waters of less mainstream religions. I guess Dad’s ‘renaissance period’ pushed her closer to those Gods who occupied the fringes of the religious pecking order. She started doing voluntary work at the library just to get out of the house, I think.
With Joey and Mum caught up in their own worlds, I suppose I was the only one that noticed Dad’s slide into an ethnicity that didn’t belong to him. My older sister, Melanie, had turned goth two years ago and was seldom seen during daylight. Mum had given up trying to save Mel’s soul. I think it was the tongue piercing that finally threw her, or perhaps Mel’s I do it with the devil tattoo.
Either way, it was up to me to work out what was happening to Dad and, more worryingly, just what the hell he was talking about. I tried the library first, only to find all the Italian phrasebooks had been checked out, along with the How to Learn Italian CDs. I should have put two and two together right then, but hey, I’m fifteen and there’s a lot going on in my life. Since we didn’t own a computer, I had to book internet time at the library after school and trawl through sites searching for translations to Dad’s latest utterings.
To begin with, Dad spoke a mixture of English and Italian, with the odd colloquialism thrown in. His native tongue gradually slipped away, though, sliding into pigeon English and then full blown Italian. By then Mum had taken up Hare Krishna, so our house resembled a backpacker’s lodge.
Dad would walk into the lounge after work—and God knows (sorry Mum) what language he spoke at the council depot—saying, ‘Ciao, Angelo. Ciao, Beniamino. Ciao, Elena.’
Buon giorno,’ I’d reply, the only Italian I knew at that stage.
From the kitchen would come Mum’s mantra, breathed over the latest variation of lentil soup. ‘Hare Krishna, Hare Krishna, Krishna Krishna, Hare, Hare.’
Joey was busy killing aliens on the PlayStation, muttering a ceaseless line of obscenities, head jerking to one side and his body twitched in time.
Non piu,’ no more, Dad would say. ‘Di niente,’ not at all. But Joey just kept ploughing those two-headed freaks into the ground…


About the Author
Craig Henderson has written several prize-winning short stories, notably the joint winner of the 2012 Trung Sisters Creative Arts Competition, one of six winners in the 2012 National Year of Reading Learn to Read Writing Competition, and highly commended in the 2012 Ada Cambridge Prize for a Biographical Short Story and the Melton Short Story competitions for 2010, 2011 and 2012. His work has also been published in Offset magazine and various other magazines and websites. He has always been fascinated by the power of the written word to explain what common sense cannot, is studying Professional Writing and Editing part-time and is a full-time child wrangler.


READ the entire short story for free as part of the sample available on Amazon.com www.amazon.com/dp/B00AVS9AR0/ref=cm_sw_su_dp.

PURCHASE this story and fifteen others for US$2.99 www.amazon.com/dp/B00AVS9AR0/ref=cm_sw_su_dp.

ORDER your hard copy for $15 including worldwide postage by emailing me – payable via PayPal, bank transfer, money order or bank cheque.




Check back tomorrow for an extract of my award-winning short story, Time and Time Again.

Thanks for visiting,
Emanuel

Monday, 14 January 2013

it's all about the writing - the book!




it's all about the writing is an eclectic collection of sixteen well-written, thought-provoking short stories by emerging writers Craig Henderson, Antonio Iannella, Kim Cook, Tuan Ho, Joshua Holland and myself, Emanuel Cachia.

The stories contained within cross fiction genres including Young Adult, Science Fiction, Literary, Action, Fantasy, Adventure, Family, Humour, Mental Health and Multiculturalism. There's a little Memoir and Creative Non-fiction and other pieces that refuse to be classified so easily.

Call them what you will, there's something for everyone.

Expect to laugh and cry, giggle and weep, cringe in horror and pump your fist in triumph, often while reading a single story.

You won't be disappointed.


Available on Kindle for USD$2.99 at www.amazon.com/dp/B00AVS9AR0/ref=cm_sw_su_dp (ASIN B00AVS9AR0),

Hard copy for $15 including worldwide postage by emailing me - payable via PayPal or Bank transfer, and

Free to borrow via the Kindle Owner's Lending Library. For more information, visit www.amazon.com/gp/feature.html?ie=UTF8&docId=1000739811 (I receive a small payment each time it is borrowed).


Next up: an extract of Craig Henderson's short story Talking in Tongues, which won one of six $1,000 prizes in the national year of reading's 'it's never too late to learn to read' short story competition.

Thank you kindly for your support,
Emanuel

Friday, 30 December 2011

Major Australian Literary Journals and Magazines

12/08/2014 - to read an updated and expanded version of this post, please visit Error Proof Editorial Services' blogThank you for visiting!


I've been working on the following list for my 'One List to Rule Them All' for some time now, and thought I'd turn it into a post.

Below, in no particular order, are links to the major Australian literary journals and magazines currently accepting submissions, and a little information on each. I've only included those that are reasonably well-known and feature at least two pieces of unsolicited fiction per issue.

Even though most of the information is from the publications' websites and/or current issues (as of 5th of January, 2012), be sure to read their style guide and submission guidelines yourself before submitting your work. I also recommend reading a couple of recent issues to identify emerging trends and see if they've recently published a story similar to yours.

As you'll see, most don’t pay very well compared to non-fiction, and most take a while to reply to submissions, but having a story in any of these is sure to help your writing career.

If I've missed any of your favourites, please don't hesitate to say so in a comment and include a web address if possible. Thanks for reading and good luck: the short story industry is quite competitive at the moment.

Emanuel



MEANJIN QUARTERLY

Description: "Known primarily as a literary magazine, Meanjin reflect[s] the breadth of contemporary thinking, be it on literature, other art forms, or the broader issues of the times."

Submission Guidelines: "Submissions should be attached as a .doc or .docx file and emailed to meanjin@unimelb.edu.au with the subject heading ‘Meanjin Submission’. Please send only ONE piece, and wait for a response before submitting again. Include a very brief biographical note. We do not impose word limits on submissions, but note that we rarely publish work over 5,000 words."

Estimated Response Time: Three to four months.

Commission: "Contributors are paid a minimum $100 for prose. The total fee will be determined by the number of pages the article fills in published form ... The average fee paid is about $50 (Australian) per printed page; higher fees are sometimes paid to specially commissioned authors."


OVERLAND LITERARY JOURNAL

Description: "Overland, the most radical of Australia’s long-standing literary and cultural magazines, celebrated its 50th year in 2004. Publishing features, fiction, poetry, reviews, comment, artwork and opinion pieces. Overland is committed to engaging with important literary, cultural and political issues in contemporary Australia. It has a tradition of publishing dissenting articles with a political and cultural focus."

Submission Guidelines: "We prefer writers who show some consciousness of their era and the issues it presents. We encourage experiments with both form and content. We do not impose formal word limits and occasionally publish very long essays and stories, but potential contributors should be aware that space limitations make longer pieces harder to accept. We ask all authors to submit their work via an electronic submission manager."  

Estimated Response Time: "The quantity [of submissions] received means that the process can take some months." 

Commission: ???



WET INK

Description: "Wet Ink is put together by a passionate team of writers and a designer who decided to do something about the lack of opportunities for writers to publish their short works and readers to access them. Inside each issue you’ll find fiction, poetry and creative non-fiction, interviews, photography, book reviews and more. It’s the place to discover some of today’s best up-and-coming talent, as well as new works by established authors." 

Submission Guidelines: "Send no more than three submissions.
• Only hard copies considered.
• Put your name on the cover sheet but NOT on the work.
• Text should be double spaced in Times New Roman 12pt.
• No word limit—although the longer a piece is, the more
outstanding it needs to be to replace two or three shorter
pieces.
• Also interested in shorter pieces (to 500 words) that are
funny, snappy, experimental or thought-provoking."
(Full guide here)

Estimated Response Time: Four months.

Commission: Under 1500 words $70, above 1500 words $120.



GRIFFITH REVIEW

Description: "Griffith REVIEW has a proud tradition of creating space for new and emerging writers. [It] is written with intelligent, well-informed and curious readers in mind."

Submission Guidelines: Each issue is themed. Check out the future editions page for details. The rest of the guidelines are set out in ‘For Writers’

Estimated Response Time: I couldn't find one, but when I submitted a short story to them in 2010 it only took six weeks, which (in my experience) is quite good.

Commission: "Rates will be negotiated directly with the author upon acceptance."



SOUTHERLY

Description: Published three times a year, "Southerly is a journal of and for the discussion of Australian Literature and the publication of the best in new Australian writing." 

Submission Guidelines: Hard copies can be sent to Southerly, c/- Department of English, University of Sydney NSW 2006, or emailed to southerlyjournal@gmail.com "Please also attach a cover letter with your submission including your name, contact details, title and page count of your work and the submission date." More submission guidelines here.

Estimated Response Time: "We attempt to acknowledge receipt of submissions within a week." Although, you may need to wait a little longer to find out if your work is accepted.


Commission: ???



THE LIFTED BROW

Description: "The Lifted Brow is a bimonthly magazine based in Melbourne. Every two months, the Brow publishes fiction, art, comics, and commentary on everything from maths to celebrity to design. It’s just meant to be fun and smart."

Submission Guidelines: Send as an email attachment to fiction@theliftedbrow.com

Estimated Response Time: The official website says they may take up to six months to respond to fiction, but are one of the rare few that encourage simultaneous submissions.

Commission: ???



MASCARA LITERARY REVIEW

Description: "A bi-annual literary journal ... particularly interested in the work of contemporary Asian, Australian and Indigenous writers."

Submission Guidelines: "Submit 1 short story up to 3,000 words, or for flash fiction no more than 1,000 words in a single Microsoft Word doc as an attachment, labelled with your name to submissions@mascarareview.com. 12 point Times New Roman, 1.5 spaced."

Estimated Response Time: Three to six months, but they accept simultaneous submissions as long as you notify them immediately if your work is accepted elsewhere.

Commission: Seems like a flat $100 




Other publications I've yet to research in full:









Updates:
29/02/2012 - Updated submission guidelines
07/01/2012 - Added more information and images for most publications

Monday, 21 November 2011

And the winner of the Melton Short Story Competition is…



Time and Time Again by me!

It feels great winning, especially with a story I like and worked so hard on.

So, what exactly went into Time and Time Again?
- An outline on what I wanted the story to achieve
- A year of turning the ideas into legible prose
- Nine drafts (more if you include the line edits)
- Critiques from my writing group
- Two other competitions (one Highly Commended)
- Rejection letters from three publishers


Looking back at the first draft, the voice and plot were there; only the back-story and placement of words and punctuation changed. But what an impact these things have!

The story went from just over 1,500 long-winded words that took a long time to get to the point to 998 punchy ones that demand attention.

What’s the story about? A guy hangs himself in prison and thinks about his life and where it went wrong. As the story unfolds, he goes further and further back in time to an incident of family violence where he wishes he stood up for his mother. The last few paragraphs show how he wanted to live his life and, hopefully, shows that family violence is passed on from generation to generation until addressed.

Where to from here? I hope to submit it to a few of the literary mags that haven't already rejected it. I’ll probably do that until someone picks it up. I’m also considering sending it somewhere overseas—maybe The New York Times.

Wishful thinking, I know, but if my aim is high I might just hit the target that feels so far away :)

Emanuel

Tuesday, 4 October 2011

The Words on the Page

The below is an extract from a fictional piece I've been working on for a little while now.

Hi, I’ll be your narrator this evening. Please allow me to introduce you to my chosen medium—this is my job as a writer after all. Words, meet our audience. And you, dear reader, meet my words. You two are going to get along great. I just know it.
If you really want to have some fun, take the phone off the hook, place a lamp beside your favourite reading spot, turn off all the other lights and make sure it’s very quiet. Don’t stop reading for anything—you might miss something important. Go on, I’ll wait for you here…


Love to know what you think,
Emanuel